![]() ![]() In this case, the 50s progression uses a IV chord, resulting in the ubiquitous I–IV–V–I progression. ![]() However, since a I–V–I progression is repetitive and skips most of the circle of fifths, it is common practice to precede the dominant chord with a suitable predominant chord, such as a IV chord or a ii chord (in major), in order to maintain interest. This particular cadence, V–I, is known as an authentic cadence. ![]() The most conclusive and resolving cadences return to the tonic or I chord following the circle of fifths, the most suitable chord to precede the I chord is a V chord. The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. In Western classical music during the common practice period, chord progressions are used to structure a musical composition. ![]()
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